
Chat Noir
The name Chat Noir is synonymous with fin-de-siècle Paris. The most famous use of this name is that of the Cabaret du Chat Noir, for which Théophile Steinlen made a series of posters and announcements in the 1890s. Examples of these posters and images, all of which depict a fierce looking black cat with a halo inscribed “Montjoye Montmartre,” can be found in many major museums. At the turn of the century the Cabaret du Chat Noir was Paris’s most celebrated cabaret. Its famous poster by Théophile Steinlen adorned the walls of Montmartre and drew many spectators to its continuously changing spectacles.
Reouverture du Cabaret du Chat Noir. 6 x 41/8 inches.
This lithographic advertising card for Cabaret au Chat Noir, signed in the stone by the artist, is a small version of Steinlen’s large Chat Noir posters. The card was used as an announcement for the reopening of the Cabaret au Chat Noir to its’ new location in 1896.
6 x 41/8 inches.
Au Chat Noir – Confiserie/Chocolaterie


Au Chat Noir, the confiserie/chocolaterie founded in 1870, flourished in Paris through the turn of the 20th century. This set of four color lithographic calendars dates from 1899 and was issued for the Exposition Universelle de 1900. Each three-month panel depicts a different pavilion and presents the decorative art nouveau background in a unique and different way. Themany black cats depicted running, jumping, reclining, sitting, climbing and leaping celebrate the cat as did Théophile Steinlen in his many cat posters.


The popularity of the name “Chat Noir” lent its name to many products and businesses which sought to associate themselves with the famous cabaret. Some of these were Savon Chat Noir, Chocolat Chat Noir, Café Chat Noir, and Grand Cordonnerie du Chat Noir, two of which are illustrated here.


18 Bould. des Italiens. Paris. Telephone 116-12.
During the past several years the Chat Noir image has become popular once again. Largely through auctions here and in France Chat Noir posters have made their way to the auction market as well as in museum and gallery exhibitions.
In the winter of 2001 a large exhibition, Toulouse-Lautrec and the Spirit of Montmartre: Cabarets, Humor, and the Avant-Garde, 1875-1905, was held here in San Francisco. The exhibition included many public programs on topics such as films, poster art, artist demonstrations, a cabaret evening, and curated tours – all of which greatly contributed to the popularity of the Chat Noir images.